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Showing posts with label MY ART FOR REALZ. Show all posts
Showing posts with label MY ART FOR REALZ. Show all posts

Monday, November 29, 2010

Sunday, July 5, 2009

MORPH (HAS-BEEN POP CULTURE ICONS WHO REMINDED ME OF MY FATHER WHEN I WAS A CHILD) PARTS 1-4 (2009)

MORPH (HAS-BEEN POP CULTURE ICONS WHO REMINDED ME OF MY FATHER WHEN I WAS A CHILD)  PART 1 (2009)

(george lucas + burt reynolds + tom selleck + robin williams)

MORPH (HAS-BEEN POP CULTURE ICONS WHO REMINDED ME OF MY FATHER WHEN I WAS A CHILD)  PART 2 (2009)

(george lucas + burt reynolds + tom selleck + ron jeremy)

MORPH (HAS-BEEN POP CULTURE ICONS WHO REMINDED ME OF MY FATHER WHEN I WAS A CHILD)  PART 3 (2009)

(pringles man + george lucas + burt reynolds + tom selleck)

MORPH (HAS-BEEN POP CULTURE ICONS WHO REMINDED ME OF MY FATHER WHEN I WAS A CHILD)  PART 4 (2009)

(pringles man + burt reynolds + the red baron pizza guy + robin williams)

Monday, April 20, 2009

confusion and a shift of pace




i can no longer

keep track of

my
references
appropriations
and
influences

because they always reveal themselves

covertly

in

indeterminate

ways

that

were

wholly

un
ex
pec
ted

from (my) intent
(sometimes)

Saturday, November 15, 2008

to those who might be interested...


I'm in a show in Marfa that opens tomorrow.

BOOK
Do Right Hall
(a.k.a. Buck and Camp's Church, a.k.a. that building with the horseshoe)
106 West Dallas St. Marfa, TX
November 15-29, 2008

My piece, ,-MON ,S5SE is in the show.

,-MON ,S5SE is a zine-style/booklet reproduction of Thomas Paine's Common Sense, written in the code of a .brt format file, a file type designed to interface with braille readers and printers. The file was downloaded without cost from the Internet, then transposed page by page into booklet form as a zine, printed and copied illicitly at my workplace.

With this document, I attempt to draw connections between methods of underground/non-commercial communication (pamphlets/zines, the Internet, materials for the disabled) and military codes (ARPAnet, Ecriture Nocture) which eventually evolve into methods of public discourse, literacy and communication (the Internet and Braille, respectively).